Nafiseh Zarei is a media activist who began composing seriously with short tales and poems around ten years back.

The book A Khaki Wrestling Singlet, which is about the life of the martyred professional athlete Asghar Manafizadeh, is this authors first substantial contribution to the genre of defense literature.

* What of your works, Ms.

Zarei, have been released so far? Did you choose to blog about Asghar Manafizadeh on your own?Because story is so important to me, the majority of my writings remain in the type of scholastic articles, research study, and literary review.

A combination of a deal that was made to me and a decision I made on my own almost resulted in the publication of this book.

Among the topics suggested when the fumbling federation called me to compose an imaginary piece with a narrative theme, Asghar Manafizadeh captured my interest due to elements including the subjects creativity and the possibility for narrative.

* How did you write this book?I made the decision to provide a brand-new story and close to the new narrative literature of the martyrs life by establishing a connection in between today and yesterday due to the scarcity of fictional works about the holy defense appropriate for teenagers and young people, in addition to damages like sloganeering, a range of the works from the reality.

* What do you as the first audience for these works think to be the most crucial aspect of it?The audience does not realise that the hero of the story is a martyr until completion of the very first chapters.

It was only after accompanying the story and right at the endpoint that the audience saw the instructions and the narrator changed that the audience ended up being mindful of the essence of the story.

Maybe the distinction is in the type of narrative and the story that the martyr is not in the center of the story from the beginning.

* In what part of the martyrs life is this piece set?Manafizadeh competes in fumbling, coaches, and teaches athletics in a secondary school throughout the time duration illustrated in this work, which is set at the start of the 60s in Iran.

* Did his family supply you with the documentary materials, or did you acquire them somewhere else?A significant portion of the resources concerned me through the martyrs family, consisting of the dedicated assistance of his better half and kid, while a smaller part came through his buddies.